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| German and Russian Studies @ the 451 Strickland Hall | Columbia, MO 65211-4170 email: grs@missouri.edu | phone: 573-882-4328 | fax: 573-884-8456 |
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Faculty | Strathausen
Carsten Strathausen
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Associate Professor of German and English ResearchMy research focuses mainly on the relationship between words and images from 1800 to the present, but I have also published on 20th-century political philosophy and literary theory. Over the last years, I have become increasingly interested in the history of science and the influence of technology on Western culture. I am currently working on a project about the aesthetics of New Media. TeachingIn the German department, I typically teach a graduate seminar on Expressionism and/or the Avantgarde movement as well as introductory courses on German literature. As a member of the English Department, I teach a required course for all graduate students on either Classical or Contemporary Literary Theory. I have also taught a broad variety of specialized undergraduate seminars in the Honors College and the Film Studies Program. |
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PublicationsBooks A Leftist Ontology. Ed. and intro. by Carsten Strathausen. Preface by William E. Connolly (University of Minnesota Press). 280 pages. Forthcoming 2008. The Look of Things: Poetry and Vision around 1900 (Chapel Hill: University of North Carolina Press, 2003). Articles "Going Nowhere: Sebald's Rhizomatic Travels." Searching For Sebald. Photography After W. G. Sebald, ed. Lise Patt (Los Angeles, 2007). 472-91. "A Critique of Neo-Left Ontology." Postmodern Culture 16.3 (Fall 2006). "A Rebel Against Hermeneutics: On the Presence of Hans Ulrich Gumbrecht." Theory & Event 9.1 (2006). "Moving On: Phil Goldstein’s Post-Marxist Theory." The Minnesota Review 65-66 (Fall / Spring 2006): 177-84. "Adorno, or, The End of Aesthetics." Globalizing Critical Theory, ed. Max Pensky (Rowman & Littlefield, 2005). 221-40. "The Badiou-Event." Polygraph 17 (2005); special edition on "The Philosophy of Alain Badiou," ed. Matthew Wilkens. 239-57. "Brecht’s Corpus." Communications 34 (Summer 2005): 52-4. "Facing Zizek." The Minnesota Review 61-62 (2004): 239-46. "Against Marxist Doxa." theory@buffalo 9 (2004): 121-56. "The Lost Gaze: Reflections on the Photography of Andreas Gursky." Genre 36, ¾ (Fall/Winter 2003): 341-64. "Of Circles and Riddles: Stefan George and the Language-Crisis around 1900." The German Quarterly 76/4 (Fall 2003): 411-25. "Cyborgian Visions, Uncanny Spaces: The City in Ruttmann and Vertov," Screening the City, ed. Mark Shiel and Tony Fitzmaurice (Verso, 2003). 15-40. "The Image as Abyss: The Cinematic Sublime in the Mountain Film," Peripheral Visions. The Hidden Stages of Weimar Cinema, ed. Kenneth S. Calhoon (Detroit: Wayne State, 2001). 171-189. "Benjamin’s Aura, or: the Broken Heart of Modernity," The Institute of Cultural Inquiry; special edition on Benjamin’s Blind Spot, ed. Lise Patt (2001). 1-14. "Nazi Aesthetics," Renaissance and Modern Studies 42 (1999); special issue on Fascist Aesthetics, ed. Greg Hainge. 5-19. "Brechts Kleinbürgerhochzeit: Ein Beispiel für Drama in DaF," co-authored with Gerd Bräuer, Zielsprache Deutsch 2/95 (June 1995) 94-100. "Althusser's Mirror," Studies in Twentieth Century Literature 18/1 (Winter 1994) 58-71. |
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