Sean Franzel

Sean Franzel
Associate Professor of German
428B Strickland Hall
573-882-1915 (Main GRS Office)
Education

Ph.D, Cornell University

B.A., Reed College

Research Interests

My research interests span the literary, intellectual and media history of the eighteenth and nineteenth centuries. My first book is an interdisciplinary study of the Romantic and Idealist lecture that intervenes in media history, the history of scholarly culture, theories of publicity, and Romantic legacies in aesthetic and political discourse. My second book (in progress) is a study of temporality and seriality in the nineteenth-century periodical, tentatively titled Writing Time: The Aesthetics of Ephemerality in Nineteenth-Century Serial Literature.

Recent projects include a co-edited and co-translated collection of essays by Reinhart Koselleck (Stanford University Press, 2018), and a co-edited journal special issue on periodical literature in the nineteenth century. Previous projects include a co-edited volume of essays entitled Performing Knowledge, 1750-1850 and a co-edited volume of essays on ephemerality as a central concept of the long nineteenth century.

I am currently the book review editor at the Goethe Yearbook and am on the editorial board at The German Quarterly, and I serve on the MLA Forum Executive Committee for 18th- and Early-19th-Century German Studies.

I am currently in Berlin at the Peter Szondi Institute for Comparative Literature at the Free University, Berlin on a Fellowship for Advanced Researchers awarded by the Alexander von Humboldt Foundation. 

Frequently Taught Courses

Current and recent courses include a graduate-level seminar on nineteenth-century periodical literature, an undergraduate senior seminar on travel and migration in contemporary German literature and film, and a course on web-blogging about culture and current events in Europe.

Selected Publications
Connected by the Ear: The Media, Pedagogy, and Politics of the Romantic Lecture
Book

Finalist, Novalis Preis, 2014.

Reinhart Koselleck: Sediments of Time. On Possible Histories
Edited Book

Co-edited and co-translated with Stefan-Ludwig Hoffmann (Stanford University Press, 2018).

Flüchtigkeit der Moderne: Eigenzeiten des Ephemeren im langen 19.Jahrhundert
Edited Book

Co-edited with Michael Bies and Dirk Oschmann (Wehrhahn 2017).

Performing Knowledge, 1750-1850
Edited Book

Co-edited with Mary Helen Dupree (De Gruyter 2015), in the series Interdisciplinary German Cultural Studies.

Edited Journal

Double special issue of Colloquia Germanica  49:2/3 (Published 2018) on “Periodical Literature in the Nineteenth Century,” co-edited with Vance Byrd.

Edited Journal

Special issue of Seminar, 49:2 (2013), on “The Eighteenth-Century Novel,” co-edited with Matt Erlin.

Articles (selected)

Les Cris de Paris: Lebendigkeit, Neuigkeit und Intermedialität in der urbanen Tableauliteratur um 1800.” In: Praktiken lebendiger Darstellung, edited by Nicola Gess, Annette Kappeler, and Agnes Hoffmann (München: Fink, 2019).

“Koselleck’s Timely Goethe?” The Goethe Yearbook, vol. 26 (2019): 283-300.

“Metaphors of Spatial Storage in Enlightenment Historiography and the Eighteenth-Century ‘Magazine.’” In: The Radical Enlightenment in Germany: A Cultural Perspective, edited by Carl Niekerk (Amsterdam: Brill/Rodopi, 2018), 328-352.

“‘Alles ist eitel’: Flüchtigkeit und Dauer in Schach von Wuthenow.” In: Herausforderungen des Realismus. Theodor Fontanes Gesellschaftsromane, edited by Peter Uwe Hohendahl and Ulrike Vedder (Freiburg: Rombach, 2018), 59-84.

“Archiving the Ephemeral: Kleist’s Magazines.” German Studies Review 40:3 (2017).

"Review Essay: Ambivalent Media Histories." Configurations 25:1 (2017): 109-119.

"Von Magazinen, Gärbottichen und Bomben: Räumliche Speichermetaphern der medialen Selbstinszenierung von Zeitschriften." In: Archiv/Fiktionen. Verfahren des Archivierens in Literatur und Kultur des langen 19. Jahrhunderts, edited by Daniela Gretz and Nicolas Pethes (Rombach: 2016), 207-230.

“Kittler’s German Media Histories.” In podium section on the Legacies of Friedrich Kittler. German Studies Review 38, no. 1 (2015): 143-15.

“Temporality and Historiography in the Lecture Form.” In: Franzel and Dupree, Performing Knowledge, 1750-1850. 295-321.

“Recycling Bildung: From the Humboldt Forum to Humboldt and back.” In: special issue of Seminar on “The New German Romanticism,” edited by Laurie Johnson 50:3 (Fall 2014): 379-397.

“Romantic Encyclopedics and the Lecture Form: Schelling, A.W. Schlegel, and A. von Humboldt.” European Romantic Review 25, no. 3 (2014): 347-356.

“A ‘Popular,’ ‘Private,’ Lecturer? Kant’s Theory and Practice of University Instruction.” Eighteenth-Century Studies 47:1 (Fall 2013): 1-18.

“The Eighteenth-Century Novel as Media Event.” Co-authored with Matt Erlin. Seminar, 49:2 (2013). 99-111.

“Towards an Anti-Monumental Literary-Critical Style. Notes on Benjamin and Jean Paul.” Telos 159 (Summer 2012). 35-48.

“Time and Narrative in the Mountain Sublime around 1800.” In: Heights of Reflection: Mountains in the German Imagination from the Middle Ages to Present, eds. Sean Ireton and Caroline Schaumann (Camden House, 2012). 98-115.

“‘Hear him! Hört ihn!’ Scholarly Lecturing in Berlin and the Popular Style of Karl Philipp Moritz.” Goethe Yearbook 19 (2012). 93-116.

“Experiencing and Studying Models of Liberal Education: from Portland to Germany and back.”Thinking Reed: Centennial Essays by Graduates of Reed College, eds. Roger Porter and Robert Reynolds (Reed College, 2011). 159-165.

“The Romantic Lecture in an Age of Paper (Money): Jean Paul’s Literary Aesthetics across Print and Orality.” Romanticism and Victorianism on the Net 57-58 (Feb-May 2010). Web.

“Branding Berlin: The Humboldt University Celebrates its Founding.” The Germanic Review 83:3 (2010): 250-256.

"The Politics and Media of Apostrophe in Hölderlin's Hyperion." The German Quarterly 82:2 (2009): 155-173.

“‘Welches Gesetz ist der Mensch in seiner Wirksamkeit?’: Pedagogy and Media in Fichte's Encounter with Mesmerism.” The Germanic Review 84.1 (2009): 3-25.

“Cultures of Performance, Gender, and Political Ideology in Fontane’s Vor dem Sturm.” Colloquia Germanica 41:1 (2008): 11-32.